Showing posts with label slavery. Show all posts
Showing posts with label slavery. Show all posts

Monday, July 11, 2016

Weekly Update #239: Thoughts on Ben Winters' Underground Airlines and the Dallas Shootings

Editor's Note

Well it was another rough week for my country and I do plan to talk more about it when we get to our main story, but I just wanted to say be good to each other. Our lives can be so short, we shouldn't waste it on hate, anger or fear.

And now the news...

Thoughts on Ben Winters' Underground Airlines and the Dallas Shootings

Last week, Ben Winters' new novel, Underground Airlines, was published. For those who don't know, its set in a world where the American Civil War never happened and slavery is still legal in several states. Alexandra Alter profiled the novel for The New York Times calling the controversial work daring, especially considering Winters is white and he is writing about slavery.

Responses to the article have not all been good. Besides what you saw on social media, J. Holtham of Slate criticized the The New York Times piece for lavishing too much praise on Winters and not mentioning black science fiction writers, like Octavia Butler, who discuss slavery and racism in their works. To Winters' credit, he did respond to Holtham and you can see his response on the link I previously provided to the Slate article. Still the question remains, should Winters have written Underground Airlines despite not being black?

A common piece of advice I have heard from authors is to "write what you know". Other writers, however, say that is bad advice and you should write about whatever you want, even if you are not an expert about it. For one thing it teaches you something you may be ignorant about and for another it provides a fresh perspective on a topic from an outsiders point of view. Admittedly Holtam made it clear in his article that Winters' race should not prevent him from writing about slavery...but America's history regarding race is complicated to say the least.

Just last week two men (Alton Sterling and Philando Castile), who were legally allowed to openly carry firearms, were shot by police. Now I'm not denying the fact that police officers often are faced with dangerous situations that require quick thinking to protect their lives and the lives of others, but many have suspected that race was a factor in those shooting and speculated that if a white person was in a similar position, the officer's response would have been less violent. Perhaps that counterfactual may be true, especially when you consider that the National Rifle Association (NRA), the most powerful organization in America that champions the right of open carry, did not even comment on those shootings until after the shootings in Dallas.

And now we need to talk about Dallas. It was there that a peaceful protest, organized as a result of the earlier mentioned police shootings, where a sniper fired upon police, killing five. Although the investigation is still ongoing, Micah Xavier Johnson appears to be a perplexing person. He was a veteran who fought in Afghanistan, had no criminal record and helped children with mental disabilities. He, however, was also accused of sexual harassment once and apparently showed interest in black nationalist groups before the shooting. A part of me thinks it would have been easier for us a country if he was a simple criminal, had serious mental illness or was radicalized by his religion...but now we are in an old and uncomfortable place. We are forced once again to address racism in our society.

To our credit as a people, I have seen a lot of positive responses in the aftermath of the Dallas shooting. White and black, police and Black Lives Matter supporters have all come together to condemn the violence and mourn the victims...but there have been others who have done the exact opposite. They instead suggest only more violence is the answer. It sickens me to think that such playground logic is being used, as if all of life's problems can be solved by just pushing the kid who pushed you back and keep escalating until an adult intervenes and separates you. Sadly the real world doesn't work that way. No one will break up such a fight if it were to actually break out in this country.

So what is the solution? Well former Speaker of the House and alternate historian, Newt Gingrich, said "If you are a normal, white American...you don’t understand being black in America." Thus the only solution is education. We need to learn more about each other. Reading Underground Airlines and the authors mentioned in Holtham's article are a start, but there is only so much science fiction can teach us. More importantly, we need to engage in peaceful debate and actually listed to the criticism we receive, rather than reject it because we don't agree with it. We need to get out of our comfort zone and see things that may disturb us, because in the end, it can only make us better people.

I feel like I have been talking a lot more about this timeline, but you can only go so long visiting other worlds before you need to focus on the one you inhabit. Still if you agree with some of the things I said, please let me know by sharing your own book recommendations, whether alternate history or not, to help all of us gain a better understanding of the world we live in.

Thanks ahead of time and hopefully we can unite over these tragic events rather than letting it divide us.

You should also check out...
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Matt Mitrovich is the founder and editor of Alternate History Weekly Update, a blogger for Amazing Stories, a volunteer interviewer for SFFWorld and a Sidewise Awards for Alternate History judge. When not exploring alternate timelines he enjoys life with his beautiful wife Alana and prepares for the day when travel between parallel universes becomes a reality. You can follow him on Facebook, Twitter, Tumblr and YouTube. Learn how you can support his alternate history projects on Patreon.

Friday, March 21, 2014

Five Hundred Other Years: Freedom, Monarchy and Mitteleuropa in The Extra Girl

Guest post by Jerry A. Dowless, Jr.

I've just published I cannot speak your England, the first novel in my alternate history cycle, The Extra Girl. One reader described it as “Wolf Hall meets the Hunger Games”, and I’m honored enough to be placed in the company of those authors I’m not about to protest that description. Essentially in its guts the novel is traditional historical fiction complete with the requisite intrigue and pillow talk, just referring to events that did not actually happen in real life. The extra girl in question is the Princess Elizabeth Tudor (no, not that one), the daughter of Henry VII and Elizabeth of York. In real history she died at the age of three from a mysterious wasting disease.

I posit what would happen if instead, dear Elizabeth survives childhood and becomes the awkward and under-loved Peter Parker of Tudor princesses. Turning sixteen, she is the subject of marriage negotiations and thus becomes the pivotal figure in a conspiracy that may work to subvert the throne of the Holy Roman Empire. Lots of dying ensues. To find out precisely what happens, you have to read the book.

Because I cannot speak your England focuses on the first sixteen years of this different course of history, outside a brief framing sequence (featuring a character who should be somewhat familiar to many fans of science fiction), there’s not the chance to really delve into the differences between this world and our own. So instead of summarizing the timeline for you, what I would like to do in this space instead is discuss some of the questions that preoccupy and shape the ensuing alternate history. If from this you happen to guess some of the directions in which our story is headed, that’s hardly a tragedy.

What difference does it make which state the united Germany coalesces around, and what difference does it make when this happens?

If you had explained to a subject of the Holy Roman Empire in 1508 that his country was going to vanish and be replaced by a combination of the German princely states under Prussia, not only would he be skeptical, he would be confused as to what precisely that was. Prussia, as such, was only a product of the Reformation, and even Hohenzollern Brandenburg was in the shade of its richer neighbors during this time. That eventually Germany would dispense with its cumbersome internal political divisions was perhaps inevitable: certainly the idea was already rolling around in the early sixteenth century in the minds of Ulrich von Hutten and his hero the Emperor Maximilian. But it was not inevitable that a state not yet even recognizable in 1508 would do the work, or that it would take the shape it did.

German unification as we are familiar with it is the product of repeated tragedies. In the Thirty Year War the German states and the foreign powers acting on the German stage alike participated in the indiscriminate slaughter of the German people, and embraced a general unprincipled lawlessness in order to advance their particular interests. The effect of this wasn't just death, poverty and misery on a huge scale, it was the destruction of the rule-bound order that had safeguarded the interests of states, cities and citizens in late-medieval Germany. The Thirty Years War was followed hard by the devastation of the wars of Louis XIV. Increasingly, Germany became the battlefield of choice for non-German actors. And increasingly, these actors found themselves not bound by any principle of legitimacy or legality at all. Frederick the Great’s seizure of Silesia only perpetuated this decline, and the emergence of Brandenburg-Prussia as a new power only contributed to this militarization of the relationships of the states of the Holy Roman Empire with each other. Of course this cycle of lawlessness and militarism reached its end-point in the wars of the French Revolution and Napoleon.

The father of his country?
If the Prussia that united Germany in 1870 was a devotee of expansionist warfare, it was so because its institutional leadership had learned well in the brutal school of the previous 250 years of European history. If Germany had been united without these intervening centuries of humiliation and destruction, the nature of the end-product state would be decidedly different. And if the state uniting it had not won the honor by virtue of its standing army and aggressive war-making, the result perhaps would be even more different.

That any united Germany is a great European land power is the simple consequence of having a single language spoken by the people between the Alps and the North Sea and the Rhine and the Oder. That Germany’s unification would have the consequence it had in the late nineteenth and early twentieth century is the product of a much more proximate and specific history. Unite Germany early, and unite it around a different core, and the Europe of later centuries may be a much happier, safer place.

What difference would a alternate slave trade make to the history of racism?

While darker skin colors held negative connotations for Europeans long before the Atlantic slave trade, many of these originated in the unfamiliarity of black persons and the association of these people with a rival faith, Islam. The permissibility of slavery when the enslaved are of another religion is what led Christian slavers to seek African slaves from the time of the first exploratory voyages to Africa. However the possibility that these slaves would be converted to Christianity led slave-holding colonies to seek some more permanent and immutable distinction than religious difference to justify the enslavement of Africans. They found their answer in the idea that skin color coincided with differences in intelligence, work ethic and cultural accomplishment. Starting with Edward Long’s History of Jamaica in 1774, this mythology of racial inferiority entered into the discourse of the infant sciences of biology and ethnography and became almost generally accepted as true through the nineteenth century. These false ideas shaped laws and policies in Europe itself, in the European settler colonies of the New World and the independent countries that succeeded them, and in those parts of Africa and Asia that were divided up and governed by the European powers until the mid-twentieth century.

Thus the economic necessities that arose from the wide-spread enslavement of non-white peoples shaped the concept of race in European society. But what would happen if more European people were caught in the net of slavery, so that imagined differences coinciding with skin color would not be sufficient to protect slaveholders’ property interest in other human beings?  Would the settler colonies of the New Would have been so relatively secure in their control of their enslaved populations? Would the evil of slavery have lasted as long? And could Europe’s imperial project have proceeded in the outside world in the same way, or been as durable as it was?

Imagine there’s no Cromwell (it’s easy if you try).

Friction between the English monarchy and Parliament dates from the thirteenth century. Now, of course throughout the medieval and late-medieval period, the practical boundaries of the English monarchy were determined less by Parliament and more by the needs, circumstances and personalities of individual monarchs. This changed decisively with the epic cycle of turmoil that accompanied the Stuarts: the English Civil War, the Restoration, the Glorious Revolution, and the Hanoverian Succession. The Stuart dynasty ended in England with the dawn of the notion that the throne was more or less a gift in the giving of Parliament, an idea that would have been absurd at the dawn of the Tudor Era.

Yet for those of us living in the present day, the evolution of parliamentary democracy in the British Isles is a cherished chapter of our tradition, and whether we are British or not the rights we bear as the result of that process we tend to think of as extensions of our persons. However, if the cycle of confrontations between king and parliament that transformed English political life in the seventeenth century did not occur, then would parliamentary democracy as we know it today still have happened, and would it have become the model of a democratic form of government almost universally imitated by the end of the twentieth century?

One can argue democracy is an inevitable consequence of increased literacy, the wider diffusion of knowledge and higher standards of living arising from industrialization, and that it would have triumphed in the British Isles regardless of the precise political circumstances in which it did in the history we know. But these circumstances would in turn shape the form of the democracy that emerges, and that form in turn shapes the ensuing governments of the country.

What difference does the settlement pattern of colonial North America make to the history of the world?

Given that so much attention is paid in alternate history to various possible outcomes to the American Civil War, the Revolutionary War before it, and to the various contingencies that ultimately shaped the destiny of British North America in the eighteenth century, perhaps it would be interesting to not take for granted the emergence of said British North America. Of course the United Kingdom’s gradual dispatching of its rivals was far from accidental. British naval power, the emergence of the United Kingdom’s innovative model of state finance under the Bank of England, problems of scale and expense that inhibited the smaller competitors from enhancing and maintaining the early footholds of the various New Swedens and their ilk, and of course the consequences to the colonies of upheaval in continental Europe, all helped propel North America towards an English-speaking future.

But if the ability of Britain to project its power decisively onto the Atlantic coast of North America in the critical early decades of colonization were somehow compromised, there would be no reason to suppose England would inevitably win the struggle for supremacy on the continent. Nor is it necessarily the case an English failure would in itself yield a French or Spanish alternative. Instead, it is entirely possible to imagine an America north of the Rio Grande as divided as Europe, with contestant countries that are the heirs of various colonial enterprises jostling for supremacy against their rivals, some of which emerged because of the migration within North America of persecuted religious minorities, some of which are evolved from the refuges of escaped slaves established in the manner of the quilombos of Latin America, some of which are the nation-states developed by the indigenous American peoples, and perhaps some of which are even colonies formed from the eventual exploitation of parts of North America by non-European powers.

One effect of the U.S. constitutional system is the inconsequentiality of the state lines many Americans cross as part of their daily commutes. That inconsequentiality is soldered to our imaginations, and so we perpetually imagine “America” as wide-open in respect to its own internal boundaries. So if we imagine a different America, we frequently imagine a different single country, or pieces of a previously united America that has been shattered or split. The idea of an alternate present-day North America that is and has always been a vast multiplicity of countries with a multiplicity of origins is radical to our current assumptions, but really only too plausible given the vagaries of European history that determined the fortunes of the early colonizing powers of North America.

Of course, it goes without saying that the history of the world in the twentieth and twenty-first centuries become unrecognizable without a certain super-power residing comfortable and protected in the temperate latitudes of North America, taking up the full space between the Atlantic and Pacific Oceans.

I could continue.  But not only do I not want to reveal quite everything, I don’t want to foreclose the possibilities of what remains still a mostly open canvas. One thing I am determined to do in the alternate history I have begun is to imagine new nations and new cultures. One of the most invigorating challenges of an alternate history diverging more than five-hundred years back is the awareness of just how much in our world has been created in the time since then, and hence how much which is different from that must be created in a world with a truly divergent history. I have no illusions how daunting all this is, and I expect it will become only more so as I dig deeper into the project I've set for myself. But my hope above all else is that the result is thought-provoking and entertaining. Thank you, and I hope you take this journey with me.

Welcome to the world of The Extra Girl.

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Jerry A. Dowless, Jr. grew up on a family farm in Bladen County, North Carolina. Though he is retired from the practice of law in New York, he remains licensed to practice in North Carolina. Currently he is preoccupied with writing fiction and running his family's peach orchard.

Thursday, May 16, 2013

The Confederat​ion Web Series Kickstarte​r

An intriguing new Kickstarter called The Confederation has caught my attention. It is a proposed web series set during the 1960's in a world where the South won the American Civil War. The story follows a squad of Confederate female snipers fighting in the Cuban War and a group of former slaves. You can check out the trailer here.

The point of divergence for this timeline is the Battle of Puebla in Mexico, May 5th 1862. In our timeline, the Mexicans win the battle, but in The Confederation timeline, the French win the battle, setting off a chain reaction that unintentionally alters the course of the American Civil War. The producers picked Puebla because it had, at least on the face of it, no influential role in the outcome of the American Civil War. They are firm believers in the butterfly effect, which is refreshing.

The producers hope to raise funds in order to produce the first season of the series and they are asking for $50k, which will be used to cover costs involved with creating and distributing the series, including travel and lodging expenses, paying the cast and crew, location fees, advertisements and equipment.

They plan to create at least eight episodes that will be distributed on Blip.tv, which is home to shows like  Red vs Blue. Each episode will be between 10 to 15 minutes long. The series will be in black and white, but will have some items (ex. flags) in color, similar to the style of Robert Rodriguez's Sin City or Gary Ross' Pleasantville.

$50k certainly sounds like an ambitious goal, but I am curious to see this web series get made. With so much alternate history television being made in the UK, it would be nice to watch a show that us Yanks can access. Good luck to the producers and as for the rest of you, go check out their Kickstarter.

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Matt Mitrovich is the founder and editor of Alternate History Weekly Update, a blogger on Amazing Stories and a volunteer editor for Alt Hist magazine. His fiction can be found at Echelon Press, Jake's Monthly and The Were-Traveler. When not writing he works as an attorney, enjoys life with his beautiful wife Alana and prepares for the inevitable zombie apocalypse. You can follow him on Facebook or Twitter.

Friday, January 18, 2013

Review: Django Unchained

Sorry it took so long but today I finally unveil my review of the new Quenten Tarrantino film Django Unchained. Is it an alternate history? Will you become a racist by watching it? Is it even good? Let's find out...

Set in 1858, the film follows a slave (Jamie Foxx) named Django (named after the popular spaghetti western character and the original actor makes a cameo appearance).  Freed from slavery by bounty hunter Dr. King Schultz (Christoph Waltz) who needs his help in identifying three fugitives. After helping Schultz identify (and kill) the men, Schultz takes Django on as a partner and together they collect bounties (lots of bounties) across the Old West. Schultz, who despises slavery, decides to help Django rescue his wife Broomhilda (Kerry Washington) from a cruel and charismatic plantation owner Calvin Candie (Leonardo DiCaprio). Posing as slavers, the pair trick Candie into believing they want to purchase one of his Mandingo fighters and hope the ridiculous price they pay will put Candie in a good enough mood to sell Broomhilda as well. Candie's house slave, Stephen (Samuel L. Jackson), however, suspects their true intentions and, as in most Tarantino films, blood is spilled.

Lots and lots of blood.

Seriously the red paint supply must have been tapped out in California by the time they finished filming.

Frankly I liked the film. It is a modern take on the classic western tropes, with plenty of ridicule of slavery and racism. Waltz put on a stellar performance and one can be forgiven for mistaking him as the main character. He certainly deserved the Golden Globe he received and it will be a travesty if he does not get the Oscar for Best Supporting Actor. The film is, as mentioned above, extremely violent and graphic. This doesn't bother me, but my wife did walk out of the theater about 20 minutes in, so make sure whoever you bring into the film can stomach the gore. Also the gratuitous use of the n-word might offend people (but perhaps only after the 136th time you hear it).

Of course no film is perfect and there have been plenty of criticisms (I found Cracked's article on the film to sum them up rather well). Some have complained about pacing, and I agree when it comes to Django's flashbacks/hallucinations of his wife or the Australian slaver scene (sorry Tarantino, you just can't act), but generally I felt Tarantino's choices did not distract too much from the overall narrative. Perhaps my biggest beef with the film was the lead actor, Foxx. Trust me, Foxx gives his best performances in the film when he keeps his mouth shut and does the stoic avenger. When he gets cocky and tries to be funny, it hurt the film.

I would be remiss, however, to not touch upon the history covered by the film. Is Django Unchained an alternate history? No. At best it is historical fiction that takes a lot of liberties with the source material. Lincoln gave a much better picture of race relations in mid-19th century America, despite being far from perfect, so go see that if you want historical accuracy. In Django Unchained, every white person is an evil, sadistic, racist buffoon except for the one German (thank God he won't live long enough to see what happens to his home country in 1933). An early version of the KKK make a cameo, but they are so inept that they can be taken down by two bounty hunters working in the Deep South.

In fact, as Jelani Cobb in The New Yorker, the film even fails history in the way it portrays blacks as being passive servants who wouldn't dare raise a hand against a white man, except Django. The film ignores the history of how the enslaved undermined the slave economy by running away or revolting. And how rare can Django be when compared to the slaves who fought against America for the British in the American Revolution or against the Confederacy in the Civil War? Kimberly Ellis on Salon slams Django Unchained for its portrayal of black resistance and comes up with several other examples of blacks resisting America's "peculiar institution”.

So you can't really argue that the film is a satire of an era because it fails miserably to understand the era. Yet the film could be a satire of western cinema itself as Amanda Marcotte suggests in her review of Django Unchained. Although the film might suck at history, it certainly has to be a more realistic portrayal of history then the white-washing done by Gone With the Wind. At worst the film took a controversial subject (slavery and the Civil War) and made it into a joke. Yes I can see why people will be offended, but as  a character from my favorite web comic put it: "[t]he first step toward recovery is to turn your personal tragedy into a weapon for making others horribly uncomfortable." Author and editor Maurice Broaddus seemed to embrace that fact when he called the film an "empowerment vehicle" right after admitting he once fantasized about killing white people after watching Roots.

So suspend your disbelief and go enjoy a good, over-the-top revenge fantasy.

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Matt Mitrovich is the founder and editor of Alternate History Weekly Update, a blogger on Amazing Stories and a volunteer editor for Alt Hist magazine. His fiction can be found at Echelon Press, Jake's Monthly and The Were-Traveler. When not writing he works as an attorney, enjoys life with his beautiful wife Alana and prepares for the inevitable zombie apocalypse. You can follow him on Facebook or Twitter.

Friday, August 24, 2012

Review: All Timelines Lead to Rome by Dale Cozort

Grade: B
If you have explored the twisted halls of online alternate history, Dale Cozort is a name you will recognize. Computer programmer, teacher and writer, Dale was an early pioneer in the alternate history community, posting his works online during the days when everyone still used websites to showcase their works (remember GeoCities). Thankfully he is still writing and his recent work of fiction is the upcoming All Timelines Lead to Rome.

In the universe of All Timelines, there are two timelines, ours and a world where the Roman Empire still exists. In fact, the Old World is in a state of stagnation. Technology and culture has not progressed in over two thousands years and New World remains free from contact with the rest of humanity...until our timeline discovered it. Portals can be used to access "Timeline X" but only in the Americas and few other remote locales. Our chrononauts are extremely careful travelling to this alternate America since there are millions of people without immunity to our diseases. Meanwhile, there are theories on why the wall between realities is weaker there or why technological advancement halted in the Old World, but nothing is known for sure.

It might have something to do with a picture of bizarre humanoid creature discovered on a dead body. This leads Bureau of Timeline Integrity analyst Scott White to team up with FBI agent Darla Smith to track down the murderer. Their investigation leads them to suspect Jeni Burgen, the young and wealthy owner of Burgen Industries. She has her own reason to avoid government intrusion into her activities because she has opened an illegal portal to Timeline X to trade with the Romans. Yet there appears to be other players in this drama and the true mystery could put an entire civilization at risk.

All Timelines was an enjoyable story and interesting take on parallel worlds fiction. Dale's use of Native Americans is a refreshing change of pace when so many alternate history focus on American or European cultures. Dale's writing style is heavily dialogue driven with little reliance on background or inner monologue. While this avoids text dumps that are prevalent in the genre (us history nerds tend to be a wordy bunch) some readers might find it to be a tad unusual. That is not say the writing is bad. Dale has created a cast of colorful and witty characters who have moments of compassion and pettiness just like us.

Having read many of Dale's counterfactuals over the years, it was a good change of pace to read one of his fictional works. If you like strong dialogue in a unique alternate history setting then I can recommend All Timelines Lead to Rome by Dale Cozort.

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Matt Mitrovich is the founder and editor of Alternate History Weekly Update, a volunteer editor for Alt Hist and a contributor to Just Below the Law. His fiction can be found at Echelon Press, Jake's Monthly and his own writing blog. When not writing he works as an attorney and enjoys life with his beautiful wife Alana.