Showing posts with label Back to the Future. Show all posts
Showing posts with label Back to the Future. Show all posts

Monday, September 19, 2016

Weekly Update #247: Hearts of Iron IV Gets First Major Patch

Editor's Note

So a lot happened in the last two weeks since my last Weekly Update. Please humor me while I go through it all.

First up, WE GOT 1 MILLION PAGE VIEWS. It still feels good to say that and I get a little tingle every time I go to my blog's dashboard and see those seven figures. Everything else pretty much pales in comparison, but waiting for the page count to tick over is a passive project. While waiting I interviewed one of my favorite authors, Jack Campbell (a.k.a. John G. Hemry) for SFFWorld. I even got a DeviantArt profile so I can share some of my map and flag posts/videos with that community.

I have also been busy as usual writing for this blog. If you haven't looked at any of those article already, I can recommend several of them such as Weekly Update #246, where I showcased some of the books that I will be reading in September. Plus you may want to check out my Map Monday articles where I featured "The Day After the World of Tomorrows"​ by Rvbomally and "Causae Deus - Climate of (Deglaciated) Antarctica" by Gian.

We also had a couple of new guest posters to the blog. Michael J. Martinez (MJ-12: Inception) made his debut on the The Update discussing how to write about sexism in racism in historical fantasy and newcomer Theo Taylor gave us two guest posts featuring President Washington's third term and a scenario where Alexander the Great drives farther into India.

I'll end this Editor's Note by congratulating Naomi Novik for winning the first ever Dragon Award for Alternate History. In the meantime, why not show some support to Novik and The Update by purchasing League of Dragons or any other new alternate history release through our Amazon banner?

And now the news...

Hearts of Iron IV Gets First Major Patch
Paradox Development Studios released the first major update for its World War II grand strategy game, Hearts of Iron IV. The “Sunflower Patch” is largely devoted to improving the game’s AI and user interface, as well as the usual changes to the game's balance and historical database, plus a number of bug fixes.

You can read the full list of changes and updates on the official Paradox Community forum here, but here is a brief list of the highlights from the press release:
  • Changes to how peace conferences are handled, based on a design by Steam user Neutrino
  • Hotjoin now available for multiplayer games, so you can connect to a match already in progress
  • Custom difficulty settings let you adjust the relative power of Germany, Italy, France and the Soviet Union
  • More nations can now be released as independent countries
  • Re-sync button added to address connection issues without rehosting the game
  • AI more likely to update templates, build nuclear reactors and cancel unnecessary production
  • AI less likely to risk encirclement, opt for a Communist France or throw everything at North Africa
  • Naval combat has been balanced to prevent light cruiser spam
  • Changes to national territorial cores (Portugal loses, Sinkiang gains)
  • A number of crashes caused by modding have been fixed
  • Submarines better at finding surface ships, worse at finding other subs

Video of the Week

If I were you I would watch Tamara's new review of Back to the Future II:
I especially liked how she gave the figurative middle finger to some of the assholes in her comment section. Next up you should also check out some of my videos, like "What if 9/11 Didn't Happen"?
And "The Alternate History Map That Ended Up In A History Textbook":
I enjoyed this one, just because its fun to rag on major corporations who forget to fact check.

You should also check out...
* * *

Matt Mitrovich is the founder and editor of Alternate History Weekly Update, a blogger for Amazing Stories, a volunteer interviewer for SFFWorld and a Sidewise Awards for Alternate History judge. When not exploring alternate timelines he enjoys life with his beautiful wife Alana and prepares for the day when travel between parallel universes becomes a reality. You can follow him on Facebook, Twitter, Tumblr, DeviantArt and YouTube. Learn how you can support his alternate history projects on Patreon.

Tuesday, June 7, 2016

New Releases 6/7/16

You can support The Update by clicking the banner to your right or the links below if you are purchasing through Amazon!

Hardcovers

Hell's Gate: A Thriller by Bill Schutt and J. R. Finch

When a Japanese submarine is discovered abandoned deep in the Brazilian wilderness, a smart, adventurous, and tough zoologist must derail a catastrophic plot in Hell’s Gate.

1944. As war rages in Europe and the Pacific, Army Intel makes a shocking discovery: a 300-foot Japanese sub marooned and empty, deep in the Brazilian interior. A team of Army Rangers sent to investigate has already gone missing. Now, the military sends Captain R. J. MacCready, a quick-witted, brilliant scientific jack-of-all-trades to learn why the Japanese are there—and what they’re planning.

Parachuting deep into the heart of Central Brazil, one of the most remote regions on the planet, Mac is unexpectedly reunited with his hometown friend and fellow scientist Bob Thorne. A botanist presumed dead for years, Thorne lives peacefully with Yanni, an indigenous woman who possesses mysterious and invaluable skills. Their wisdom and expertise are nothing short of lifesaving for Mac as he sets out on a trail into the unknown.

Mac makes the arduous trek into an ancient, fog-shrouded valley hidden beneath a 2000-foot plateau, where he learns of a diabolical Axis plot to destroy the United States and its allies. But the enemy isn’t the only danger in this treacherous jungle paradise. Silently creeping from the forest, an even darker force is on the prowl, attacking at night and targeting both man and beast. Mac has to uncover the source of this emerging biological crisis and foil the enemy’s plans . . . but will he be in time to save humanity from itself?

Paperbacks

Back To The Future: Untold Tales and Alternate Timelines by various

Back to the Future creator/screenwriter Bob Gale returns with all-new tales from the twisting and turning timeline that made Back to the Future a, well… TIMELESS pop-culture phenomenon! Take a trip back to 1985 and be there when Doc Brown and Marty McFly first meet, and then jump even farther back, to 1945, to witness Doc’s involvement in the super-secret Manhattan Project. Collects issues #1–5.

The Bookman by Lavie Tidhar

When his beloved is killed in a terrorist atrocity committed by the sinister Bookman, young poet Orphan becomes enmeshed in a web of secrets and lies. His quest to uncover the truth takes him from the hidden catacombs of a London on the brink of revolution, through pirate-infested seas, to the mysterious island that may hold the secret to the origin, not only of the shadowy Bookman, but of Orphan himself...

File under: Steampunk [Alternate Victorian London | Reptilian royalty | Diabolical anarchists | Extraordinary adventure!]

Just One Damned Thing After Another: The Chronicles of St. Mary’s Book One by Jodi Taylor

The first book in the bestselling British madcap time-travelling series, served with a dash of wit that seems to be everyone’s cup of tea.

“History is just one damned thing after another.” —Arnold Toynbee

Behind the seemingly innocuous facade of St. Mary’s Institute of Historical Research, a different kind of academic work is taking place. Just don’t call it “time travel”—these historians “investigate major historical events in contemporary time.” And they aren’t your harmless eccentrics either; a more accurate description, as they ricochet around history, might be unintentional disaster-magnets.

The first thing you learn on the job at St. Mary’s is that one wrong move and history will fight back—sometimes in particularly nasty ways. But, as new recruit Madeleine Maxwell soon discovers, it’s not only history they’re often fighting.

The Chronicles of St. Mary’s tells the chaotic adventures of Max and her compatriots—Director Bairstow, Chief Leon Farrell, Mr. Markham, and many more—as they travel through time, saving St. Mary’s (too often by the very seat of their pants) and thwarting time-travelling terrorists, all the while leaving plenty of time for tea.

From eleventh-century London to World War I, from the Cretaceous Period to the destruction of the Great Library at Alexandria, one thing is for sure: wherever the historians at St. Mary’s go, chaos is sure to follow in their wake.

Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

To readers, authors and publishers...

Is your story going to be published in time for the next New Releases? Contact us at ahwupdate at gmail dot com.  We are looking for works of alternate history, counterfactual history, steampunk, historical fantasy, time travel or anything that warps history beyond our understanding.

* * *

Matt Mitrovich is the founder and editor of Alternate History Weekly Update, a blogger for Amazing Stories, a volunteer interviewer for SFFWorld and a Sidewise Awards for Alternate History judge. When not exploring alternate timelines he enjoys life with his beautiful wife Alana and prepares for the day when travel between parallel universes becomes a reality. You can follow him on Facebook, Twitter, Tumblr and YouTube. Learn how you can support his alternate history projects on Patreon.

Wednesday, August 31, 2011

Back to the Multiverse: Part 3

This is the final post in my Back to the Multiverse series, where I apply the mutliverse theory to the Back to the Future trilogy.  In my first and second posts, I used examples from the first two films to describe why the travels of Marty did not make sense when applying traditional time travel rules, but became more logical when you apply the principles of the multiverse theory.  I will now conclude my series by breaking down the third and final film.

The film begins in 1955, with Marty McFly stranded in the past with the knowledge that Dr. Emmett "Doc" Brown is trapped in the year 1885. Marty and Doc's 1955 selves use the information in Doc’s 1885 letter to locate and repair the DeLorean.  Admittedly the existence of this letter and the information it contains does appear that time travel is involved.  Nevertheless, we cannot ignore the fact that there are to many inconsistencies throughout the films to believe that this one example makes the time travel theory plausible.  In reality the Doc who wrote the letter was from an alternate universe where he was accidentally transported to another timeline and the DeLorean was rendered incapable of further travel.  While this may require a leap of faith, be patient, a better explanation is coming.

While retrieving the car, Marty spots a tombstone with Doc's name, dated six days after the letter, and erected by his "beloved Clara". According to the Tombstone, Doc was killed by Biff Tannen's ancestor, Buford "Mad Dog" Tannen.  Ignoring the fact that the Tannens have been terrorizing the McFlys and Browns for generations for no apparent reason, Marty decides to go back to 1885 to save Doc.  Doc repairs the time machine, replacing the transistors for vacuum tubes, and Marty jumps again to another alternate reality, but farther in the past then he has ever gone before. 

But what happened to the Doc he left behind?  1985 Doc never once mentioned that he ever knew that there is gravestone bearing his name in a cemetery in Hill Valley.  Consider the psychological impact of knowing that you are buried not far away from where you are living right now.  Perhaps this Doc would be terrified enough by his impending death in the past that he may decide never to build the time machine.  I cannot confirm this fact, since the time travel premise the films try to present would make you believe that Doc still went ahead and built the DeLorean. 

Yet if we remember what happened at the end of the first film, where Doc apparently read Marty's letter explaining to him that he would be shot in 1985, we could now have an explanation of why Doc decided to read the letter after all since he was already petrified by the idea of impending death.  This may also explain why he took part in that therapy in the future that added a 30 to 40 years to his life.  Again this idea seems to support the time travel theory over the multiverse, but the films provides a number of contradictions that will in the end make you favor the multiverse theory over time travel.

Marty arrives on September 2, 1885, in the middle of a United States Cavalry pursuit of Native Americans. While evading the pursuit, the DeLorean's fuel line is torn, forcing Marty to hide the car in a cave and walk to Hill Valley. En route, Marty meets his Irish great-great-grandparents, Seamus and Maggie McFly.  Again we see Marty beginning to make small, but still noticeable, changes to history.  For example, he calls himself Clint Eastwood, after the American actor of the same name.  Even this simple deception will have major changes to history.  Consider how different the real Clint Eastwood's career may have been if there was another historical Clint Eastwood who was also cowboy.  The legend of this other Clint Eastwood perhaps may ruin his chances of becoming a famous Western actor.  Let us also not forget the butterfly effect.  The changes Marty is making is likely to ruin any chance of himself, his family, Doc and many other characters from the last two films from ever being born.  Yet Marty continues to exist and his memories of the real Clint Eastwood do not change.

Back to the film: in Hill Valley, Marty runs afoul of Buford and his gang. Buford tries to hang Marty, but Doc saves him by using his steampunky sniper rifle to shoot the rope. Doc agrees to leave 1885, but with the DeLorean out of gasoline, there is no way to accelerate the car to 88 mph. Doc devises a scheme to use a locomotive to push the DeLorean up to speed. As Doc and Marty explore the rail spur they intend to use, they spot an out-of-control horse-drawn wagon. Doc saves the passenger, Clara Clayton. The two fall in love, finding many common interests, especially the works of Jules Verne.

Let us stop here for a second.  We learn from Doc and Marty that Clara was supposed to die when her wagon fell into the ravine, hence why both Doc and Marty remember the ravine being called "Clayton Ravine" from their reality.  Yet in another timeline Doc saves Clara, without the help from Marty, since the Doc whose tombstone Marty found in 1955 mentioned a Clara.  How do we reconcile these conflicting realities (one where Clara dies, one where Clara is saved by Doc and one where Clara is saved by both Doc and Marty) and the unchanging memories of Doc and Marty.  Only the multiverse theory makes sense.  The Marty and Doc we see on screen both originated from a timeline where Clara died by falling into the ravine. The 1955 that Marty just arrived from and an alternate Doc was buried in was timeline where the ravine was known as "Shonash Ravine".  The timeline they inhabit now is likely to be called...well we will get to that.

Back to the film: Buford tries killing Doc at a town festival, but Marty intervenes. Buford then goads Marty into a showdown in two days' time. Consulting the photograph of Doc's tombstone, they note that Doc's name has disappeared, but the tombstone is otherwise unchanged. Doc tells Marty that the tombstone represents the events of the future, and warns Marty that he, not Doc, might be killed by Buford.  Doc is mistaken, however, because this is another example of the self-correction attribute of the multiverse and is more evidence that it may be done by an intelligent force that is waiting to see what the existence of foreign people and objects will do before the reality begins to right itself.

The night before their departure, Doc tells Clara that he is from the future, but Clara believes it is an excuse to end their relationship and spurns him. Doc returns to the town saloon to get drunk, but Marty rides to the saloon and convinces Doc to leave with him. However, Doc drinks a single shot of whiskey and passes out. Buford arrives and calls Marty, who realizes his reputation is unimportant and refuses to fight.

Doc revives after being force-fed the bartender's special "Wake-Up Juice" and tries fleeing with Marty, but Buford's gang captures Doc, forcing Marty to fight. Marty uses a firebox door from a stove as a bullet-proof vest (an idea he got from watching a Clint Eastwood film), and then hits Buford in the face with it. During the fistfight that follows, Buford destroys the tombstone and is arrested causing the picture to lose the image of the tombstone once and for all. Marty and Doc depart to hijack the locomotive.  Buford is arrested, which is something that Doc and Marty's research in 1955 never mentioned.  History is again changed, yet Marty nor Doc express any of those changes, another point for the multiverse theory.

Clara is leaving on the train when she overhears a salesman discussing a man he met in the saloon, despondent about his lost love. Realizing the man is Doc and that he loves her, Clara triggers the emergency brake and runs back to town. She discovers Doc's model of the time machine and rides after him. Clara boards the speeding locomotive while Doc is climbing towards the DeLorean. Doc encourages Clara to join him, intending to bring her to 1985. As she climbs to Doc, the overheated locomotive boiler explodes. Clara falls and is left hanging by her dress. Marty passes the hoverboard to Doc, who uses it to save Clara. They coast away from the train as the DeLorean disappears through time, while the locomotive roars over the edge of the incomplete bridge and is demolished.

Marty arrives on October 27, 1985. He leaves the powerless DeLorean to be destroyed, on Doc's instructions, when a freight train strikes it. Marty returns home, discovering that everything has returned to the improved timeline (I mean who really wants a spineless father and an alcoholic mother when you can have new and improved parents).  In reality, Marty simply arrived to the closest analog to the sum of his actions in the multiverse.  We see from the film that Clara/Shonash Ravine is now named Eastwood Ravine.  Marty is just as surprised as anyone would be when they realize that a place that has been named one thing their entire lives is suddenly renamed overnight.  Who was this "Eastwood" that the Ravine was named after?  Was it a Marty from another timeline who was spent some time in this reality's 1885?  Did he succeed in jumping to another reality, or did he fail and die?  We will probably never know, though Marty may one day look the historical Clint Eastwood up and be very surprised by what he finds and how the rest of his timeline reacted to his exploits.

Marty then finds Jennifer sleeping on her front porch. Later, he uses the lessons he learned in 1885 to avoid being goaded into a street race with Needles, avoiding a potential automobile accident. Jennifer opens the fax message she kept from 2015 and finds that the message regarding Marty being fired has been erased, thus the multiverse takes care of that last loose end being the good deus ex machina that it is (though perhaps it is just a bored alien space bat sitting in a cubicle going through the days "Human Correction Protocols").

Marty takes Jennifer to the time machine wreckage. As they survey the remains a WTF moment occurs when a steampunky locomotive equipped with a flux capacitor appears, manned by Doc, Clara, and their children, Jules and Verne. Doc gives Marty a photo of the two of them by the clockworks at the 1885 festival. Jennifer inquires about the fax, and Doc tells them it means that the future has not been written yet. After the Browns bid farewell to their friends, Doc’s train converts into a hovertrain and roars off into an unknown timeline.

How do we explain this?  Honestly?  Are we to believe that Doc was able to create another time machine by himself when the Doc who wrote the letter needed the assistance of his 1955 counterpart to repair the DeLorean?  How was this Doc able to do what other Docs could not?  This is probably one of the least plausible things to happen in what is already an implausible film series.  In my humble opinion, the only way Doc could have created this new device, was with the help of others. 

He probably convinced the United States government, wealthy industrialists and/or 19th century scientists to help him in this endeavor.  It probably would have been very easy for Doc to prove to them that he really was from the future.  All he had to do was show them the hover board.  So they probably helped Doc, but not for free.  Doc likely gave them knowledge of future technology in exchange for their assistance.  The 1885 reality this Doc left behind is likely much more advanced than our own.  Consider the implications of what Doc could give them.  Ignore time/multiverse travel for a second, and think about flight, computers and nuclear power.  What did Doc do to this reality?!?!  And what will they do once they make their own multiverse machines?  I am afraid of whatever intelligent being(s) who regulate the multiverse would do when multiverse exploration increases a hundred fold.

I hope you all enjoyed my Back to the Multiverse series.  Do not mistake my sometimes sarcastic commentary on the film for someone who does not enjoy the Back to the Future trilogy.  I have always been a huge fan and I hope you liked reading my fan theory as much as I liked writing it.

Wednesday, August 17, 2011

Back to the Multiverse: Part 2

In my last post, I discussed how the only way that time travel works in the Back to the Future film series was if you applied the multiverse theory to the movies.  To prove this, I broke down the first film and showed how traditional time travel did not make any logical sense considering the events that happened in the film, but it became more plausible once you assume that Marty was actually traveling between alternate universes.  Now I will breakdown the second film in the series.  I am actually very excited about this one because Back to the Future Part II has an obvious alternate timeline, which is one of the reasons why it is recognized as an alternate history film. 

The film begins on the morning of October 26, 1985, Doctor Emmett Brown arrives from the future and tells Marty McFly and his girlfriend, Jennifer Parker, that he needs their help to save their future children.  Though this scene was exactly the same from the final scene in the last movie, it had to be reshot after Crispin Glover and Claudia Wells failed to return.  Due to the small, but noticeable, differences between the two versions, one can almost assume that we are not seeing the same Marty we saw in the last film...but a Marty from another timeline who went through similar, but not entirely the same, experiences.  That theory, however, is splitting unnecessary hairs so let us just agree that this is the same Marty as before.

As they depart in the now-airworthy DeLorean time machine, Biff Tannen accidentally witnesses their departure. Since they are not actually time travelling this may be the last time this timeline ever sees Marty or Jennifer (unless of course another Marty arrives later).  Biff being the last to see them might be labelled as insane when questioned by the police (no really the car was flying officer, I am telling the truth).  Perhaps he would be a suspect in their disappearance, but he would likely be released due to lack of evidence.

When the trio arrives on October 21, 2015, Doc electronically hypnotizes Jennifer (to avoid answering further questions about her future) and leaves her incapacitated in an alley. Exactly why this is a problem for Doc is unknown, since in the last film he had no problem reading the letter Marty left him explaining that he was going to be shot in 1985 by Libyan terrorists.  Why is this Doc suddenly adhering to this philosophy again?  This is more evidence that we are dealing with alternate realities.  It is likely that Marty is not dealing with the same Doc he saw at the end of the last film.  This Doc probably was not put into a position where his philosophy on knowing one's future was ever tested, thus he acts differently from what the Doc who survived his assassination attempt would act.

Meanwhile, Doc has Marty pose as Marty McFly, Jr., Marty's future son, to refuse an offer from Biff's cybernetically-enhanced grandson, Griff Tannen, to participate in a robbery. Doc explains that the robbery will result in the arrest of Marty Jr., as well as his sister Marlene McFly for her attempt to break him out of jail and that these events would cause the collapse of Marty's family.  Marty successfully switches places with his son and refuses Griff's offer, but Griff goads Marty into a fist fight. Marty escapes the fight and leads Griff and his gang on a hoverboard chase across the town square, ultimately resulting in Griff and his gang crashing through the glass front of the Courthouse Mall. Griff and his gang are promptly arrested, changing the future. 

Now in the last film there was always the danger of objects from other universes fading away, but here we see objects from alternate realities changing.  This gives more evidence to my theory that there is a self-correction aspect to the multiverse.  Not only does the multiverse remove objects and people who do not mesh with the state of reality, it will even change those objects as well.  For some reason, however, it does not change the people (and if you read my last post you would see the issues I had with that).  This seems to suggest that this self-correction aspect of the multiverse is selective, suggesting some intelligence behind it, or else foreign objects in a timeline would automatically disappear once they entered this new universe.

Back to the film: on his way back to meet Doc, Marty purchases Gray's Sports Almanac, a book detailing the results of major sporting events for the second half of the 20th century. Doc discovers the purchase and warns him about attempting to profit from time travel.  It is too bad that both Doc and Marty still believe they are time travelling.  If they did realize that they were actually just skimming the multiverse they could have exploited this fact to eventually reach a universe where they are rich and successful.  Sadly there misconception of the nature of their travels and the extremely ethical Doc prevent them from profiting from their discovery.

Before Doc can adequately dispose of the almanac, however, they are forced to follow the police who have found Jennifer incapacitated and are taking her to her home. Old Biff, overhearing the conversation, follows with the discarded book in a taxi.  Meanwhile, Jennifer wakes up in her future home and hides while the McFly family has dinner together. She overhears that Marty's life, as well as their life together, is not what they had expected due to a car accident involving Marty. Jennifer witnesses the Marty of 2015 being goaded into a shady business deal by his friend, Needles, causing their supervisor to fire Marty from his job, as announced by numerous faxes (one copy of which Jennifer keeps and will become important in the next film).

While escaping the house, Jennifer meets her older self and they both faint. As Marty and Doc run to retrieve the younger Jennifer, Biff uses the DeLorean to allegedly travel back in time to 1955, gives his teenage self the sports almanac, then returns to 2015 where he promptly has a heart attack and dies. Marty, Doc, and an unconscious Jennifer return to 1985, unaware of Old Biff's previous actions, and Jennifer is left on the porch at her home.  Marty and Doc soon discover that the 1985 to which they returned has changed dramatically. Biff has become wealthy and changed Hill Valley into a chaotic dystopia. Marty's father, George, has been murdered, and Biff has forced his mother, Lorraine, to marry him instead. Doc has been committed to an insane asylum.  Meanwhile, we learn that Richard Nixon is still the President of the United States, implying he never resigned and has served multiple terms.  Nixon strangely appears in a lot of dystopias set in the 1980s (see Watchmen, another work of alternate history that uses the same trope).

Anyway, Doc finds evidence of the sports almanac and Biff's trip to the past in the DeLorean and tells Marty he needs to learn when the younger Biff received the almanac so they can correct the timeline. Marty decides to confront Biff regarding the almanac. Biff explains that he received the book from an old man on November 12, 1955 who told him that he would never lose as long as he bet on every winner in the almanac. He was also told to eliminate anyone in particular who questioned him about the almanac in case of any attempt to change the past so Biff attempts to kill Marty during which time he reveals that he killed George. However, Marty escapes with Doc and, with the new information, returns to 1955 (which in reality is a whole other reality).  They, however, leave Jennifer and Einstein behind, with Doc assuring Marty that they will be fine and when they fix the past everything will change instantaneously around them once they succeed.

Now let us back up a second.  There is something extremely wrong with what has been happening in this film from a time travel point of view.  We learned in the last film that when someone goes back in the "past" and changes things, they will arrive in an altered "future".  Yet when old Biff goes back to 1955 and changes things, he returns to a future that is exactly the same from the one he left.  Why?  Old Biff should have returned to a future where he is rich and powerful.  In fact Doc even said that once the past is changed the present and future will change instantaneously around any time travelers.  We should have seen the future that Marty and Doc were in change as soon as Old Biff left for the past, but we did not.

This cannot be explained with time travel, but it can be explained with multiverse travel.  Old Biff went to 1955 in another timeline and gave an alternate young Biff a tool to change his fortunes.  Presumably this young Biff did this and old Biff was sent to another timeline where he was rich and famous (where he probably died shortly after arriving not being able to enjoy it...karma).  So who was the old Biff who arrived in the 2015 timeline that Marty and Doc were located?  Probably another old Biff from an alternate timeline, who also had access to the DeLorean.  Perhaps this alternate old Biff felt remorse for his actions and thus used the DeLorean to change the past (again not realizing its true purpose) and arrived in another timeline that was the closest result to the actions he made in another timeline.  It may even be likely that the timeline he originated from was the same one the original old Biff finally arrived in.

Back to the film: Marty works undercover to trail the Biff of 1955. Marty is present when the Biff of 2015 arrives to give the Biff of 1955 the almanac, but Marty is unable to retrieve it. Marty is forced, with Doc's help, to try to get the book back during the dance, being careful to avoid undoing the events that he had already corrected in his previous visit.  This was a difficult task in the movie, as both Marty and Doc have run-ins with the Marty and Doc already there.  This other pair are alternate versions of the same Marty and Doc and while they are similar, they do not have the same experiences from the previous film.  Remember we never see Marty step over Biff's goons who are inexplicably unconscious and covered with sand bags.  We also never see future Doc talk to the past Doc.  In fact, never once do they even acknowledge having these memories, but they should since this already happened.  From Marty and Doc's perspective, they should be remembering these odd occurrences, coming to the realization that this makes a lot more sense from their new point of view (just like the scene in front of the convenience store in Bill & Ted's Excellent Adventure).  Yet we never see them realize it, but that is because it never happened to them.  I say it again, they were not time travelling, but instead were multiverse travelling.

Back to the film again: Biff leaves the dance as Doc and Marty follow him silently. After a struggle, Marty takes the almanac from Biff, who crashes his car into a manure truck as Doc and Marty fly away in the DeLorean.  With a thunderstorm approaching, Marty burns the almanac and restores the previous timeline.  Of course, we realize that is not true.  That horrible dystopia still exists somewhere in the multiverse.  Evil Biff woke up from his concussion, still finding himself rich and powerful and likely making a vow never to tell anybody what happened on top of his hotel.

Now as well all know from watching the film, the DeLorean is struck by lightning and disappears. Marty is depressed until a courier from Western Union arrives minutes later and gives Marty a seventy-year-old letter. It is from Doc, who has been trapped in 1885 after the lightning strike caused the DeLorean to malfunction. Marty races back into town and finds the Doc of 1955. Having sent the original Marty back to 1985 just moments ago, Doc is shocked by his friend's sudden re-appearance and faints.

Now I know what you might say: Mitro, how does your theory make sense with the letter clearly being from the past?  Well I will explain that...but you will have to wait until my next post where I will conclude my theory with a breakdown of the third and final film.

Wednesday, August 3, 2011

Back to the Multiverse: Part 1

My theory: The Back to the Future film series only makes sense if you apply the multiverse theory to time travel. Essentially, Doc Brown did not invent a time machine, but a Ghaldron-Hesthor field-generator that allowed Marty McFly and others to move travel through the multiverse, but without realizing it, mistakenly referring it to time travel. I promise to break down each film to explain why it makes sense, starting with the first one.

The movie begins by introducing us to Marty McFly. Marty is a teenager who lives with his disfunctional family in Hill Valley, California. His father, George McFly, is constantly bullied by his supervisor, Biff Tannen, and his alcoholic mother, Lorraine Baines McFly, is very unhappy with her decision to marry George. Meanwhile Marty's brother Dave is a unambitious delivery boy and his sister Linda is likely the inspiration for Meg Griffin. Marty's life is not much better: his band failed in their audition to perform at the high school dance (for being too loud) and Biff crashed his car. Marty's girlfriend, Jennifer Parker, is the only bright spot for Marty despite his mother's dislike for her. If I were Marty I too would want to escape this reality.

At dinner, Lorraine recounts how she and George first fell in love when her father hit George with his car (sadly not killing him). On the morning of October 25, 1985, Marty meets his friend, scientist and Einstein-impersonator Dr. Emmett "Doc" Brown, at Twin Pines Mall (remember the name of the mall, it is very important) at 1:15 am at Doc's request. Doc reveals a DeLorean DMC-12 which he claims he has modified into a "time machine", but as I will prove to you he actually invented a Ghaldron-Hesthor field-generator.

The car's ability to travel through time/multiverse is powered by nuclear fission. Using plutonium as fuel, 1.21 gigawatts of power is generated into a device Doc calls the "flux capacitor". Doc also explains that the car travels to a programmed date upon reaching 88 mph. To test to make sure his device works, Doc places his dog, Einstein, into the car and uses a remote control to drive the car up to 88 mph, supposedly sending the dog forward in time by one minutre. Now ignoring the fact that Doc is willing to test his experimental, nuclear powered car on his beloved furry companion; this is the first time we see the DeLorean used to travel through "time". In fact, one theory on time travel suggests that it is impossible to travel back to before the time machine was actually made. So theoretically the DeLorean is working perfectly as a time machine.

Do not be fooled however by this correct application of time travel. What you need to understand is that what comes back is not the real Einstein. If we accept the multiverse theory as true, than we live in a reality composed of infinite number of infinite universes. Consider that for a second, Marty's home universe is infinite in size. That means that any divergences between his universe and neighboring universes could exist galaxies away from each other. That means that there is likely an uncalculable number of Earths where everything is happening the same way as it is happening on Marty's Earth. Trillions of Martys and Docs could have sent trillions of Einstiens into another universe and they would think it was time travel.

In reality, the Einstein and the DeLorean that appeared a minute after the original Delorean was activated were from another timeline. This other timeline was so similar, however, that neither Marty, Doc nor Einstean could tell the difference. I realize that you may be thinking that I am overcomplicating things, but keep this in mind as I continue to breakdown the film.

Now back in Marty's reality, Doc is about to make his first trip, but he is interrupted by Libyan terrorists from whom he stole the plutonium from. They proceed to gun him down, while Marty can do nothing but watch. Marty attempts to escape in the DeLorean, but, in the process, reaches the speed of 88 mph and is transported back to November 5, 1955, a date Doc programmed into the DeLorean as an example destination. Marty finds himself without the plutonium needed for the trip back, and the car shuts down, leaving him stuck in 1955. Of course, he is not stuck in his 1955, but in the 1955 of another universe.

In the first minutes following Marty's arrival into this other universe, Marty commits several actions that prove he is not in his own timeline anymore. He crashes into a barn, awakes and is shot at by the family who owns the barn and while fleeing runs out of gas forcing him to ditch the DeLorean, but not before trying to flag down an old couple in a car who fearing that they are in danger of radiation, due to Marty's hazmat suit, flee. As alternate historians, we recognize these as points of divergence and we know that due to the butterfly effect/jonbar hinge these divergences can (and should) cause massive, unpredicatable changes to history, even if the divergences themselves are rather minor changes in the grand scheme of things.

In fact, if Marty really was from the 1985 of this timeline, we should see him changing (or cease to exist) to reflect his own alternate future. We should have seen him act differently, wear different clothes or have a different hair cut. He might even come to look like this:


Heck, he may even start speaking Russian (due to the fact that because Marty stopped the old couple they were in time to run over the guy whose death would eventually lead to the United States losing the Cold War). Yet we do not see these changes. Marty's personality and even his appearance should change due to his interactions in the past, but he continues to exist as he did before he entered the DeLorean. This fact will become more pronounced later in the film.

Back to the story: Marty accidentally meets his father, George, who even as a teenager was bullied by Biff. Marty follows George and finds him in a tree watching a woman (presumably Marty's mom) undress. George falls from the tree and is about to be hit by Lorraine's father's car, but Marty pushes him out of the way and takes the impact. As a result, a teenage Lorraine becomes infatuated with Marty instead of George. Now this is a major point of divergence. From this point on the relationship between his parents is inevitably altered. Yet Marty still does not reflect the changes he is making to reality. Now you might counter by saying that you cannot change the past and all of this was meant to happen and that is why Marty is not turning into a different person right in front of his mother, grandparents, uncles and aunts. If I may jump ahead, however, we know (if you have seen the film) that Marty will arrive back to 1985 and find everything different...so that argument is out the window.

Marty, finding himself in an Oedipul-like nightmare, leaves to find the younger Doc of 1955. Marty convinces Doc that he is from the future (right after Doc has a nervous breakdown) and asks for help returning to 1985. Doc explains that the only available power source capable of generating the required 1.21 gigawatts is a lightning bolt. Marty then shows Doc the "Save the Clock Tower" flyer he had received from 1985, indicating that lightning will strike the courthouse clock tower the following Saturday at 10:04 pm. Doc makes plans to harness the lightning strike to power the DeLorean's flux capacitor.

At this point, the pair discover a complication when observing a fading photograph of Marty with his siblings: Marty has prevented his parents from meeting and has jeopardized his siblings' and his own existence. Now I admit this event makes my argument look weak. How exactly do I explain the vanishing picture? I admit that it is a problem, but is likely an individual timeline will correct itself as travellers from the multiverse interact with it. Essentially as the probability of some object or person from outside the universe actually existing decreases, the timeline will delete it. Now why this deletion does not happen immediately is a mystery. Perhaps the changes being made by Marty have not yet reached the probability limit where the universe will begin correcting itself. Whether this correction happens naturally or is done by an intelligent being is also unknown, but it happens and we have to accept that for the time being.

Back to the story again: Marty attempts to set George up with Lorraine, but she only shows romantic interests in Marty. In order to make his parents fall in love, Marty plans to have George "rescue" Lorraine from Marty's overt sexual advances (remember this is his mom...gross) on the night of the school's Enchantment Under the Sea dance. However, the plan goes awry when a drunk Biff unexpectedly shows up, pulls Marty from the car, and attempts to force himself on Lorraine. Now it is never established whether or not Biff ever raped Lorraine in Marty's original history. Regardless, history has changed even more drastically from Marty's original timeline, yet he continues to act just as if that timeline never changed. Why is he not changing? The logic of time travel states that he should be changing in front of our very eyes and yet he is still the Marty we met from the beginning of the film.

Before things get much farther with Biff and Lorraine, George arrives. Expecting to "rescue" Lorraine from Marty, George finds Biff instead. Biff subjugates George, but George stands up to him for the first time and knocks him out with one punch. A smitten Lorraine (apparently turned on by the near rape and violence) follows George to the dance floor where they kiss for the first time, assuring Marty's existence. Marty celebrates by playing his rendition of Chuck Berry's "Johnny B. Goode", three years before it would be performed. Of course Chuck Berry's cousin would hear it and call Chuck himself so he could listen to his own song. Why Berry did not go insane after hearing this is beyond me.

What is this event telling us? Chuck Berry obviously wrote this song in Marty's timeline, but as we already know, it was in a timeline where Marty did not interfere in his parents' courtship or for that matter play "Johnny B. Goode" in 1955. Yet this movie seems to imply that Berry was not inspired to write his song until a teenager from the future came and played it for him in 1955, the same time OTL Berry wrote the song. So does that mean in Marty's reality Chuck Berry was not inspired to write the song until later? "Johnny B. Goode" is one of the most recognizable rock songs in music history. It being produced later could and probably would have changed the cultural history of the 20th century.


Now I think we all realize that Marty's reality is not our own, but this fact means that his reality is more divergent from our timeline than we realize. It also explains why Huey Lewis (famous musician OTL but apparently a meek civil servant in Marty's reality) rejects Marty's band earlier in the film for being to loud. I think we narrowed a major POD for Marty's universe: because Chuck Berry released "Johnny B. Goode" later than he did in OTL, Huey Lewis was never inspired to go into music.

Still with me? Well back to the story: Marty arrives at the scene of the anticipated clock tower lightning strike where Doc is making the final preparations. Marty attempts to warn Doc of his murder in 1985 in a letter, but Doc indignantly tears up the letter without reading it, for fear he will alter the future. Of course we now realize that is not true, but Doc and Marty have yet to realize it due to the drama they have been through the last week. Things get even worse when the storm disconnects Doc's wiring setup that will capture the lightning, but the two repair the connections just in time for the lightning strike to send Marty and the DeLorean back to 1985...but not Marty's 1985. He has been sent to an alternate timeline.

Even though Marty reset the time machine to arrive before Doc gets shot, Marty still arrives too late to prevent the shooting. Standing by the Lone Pine Mall (remember Marty ran over the pine tree earlier in the film), Marty is helpless to prevent the Libyans from gunning down Doc and later chasing the other Marty into the past (we assume who knows what time this alternate Doc set in the DeLorean). Marty cries over Doc's dead body, but surprise, Doc reveals he had taped the letter back together and was wearing a bulletproof vest...thus proving that Doc has a "do as I say, not as I do" mentality in his relationship with Marty and others.

Doc drops Marty off at home and leaves in the time machine for the future. Marty awakens the next morning to find his home and family significantly improved and happier. Lorraine is physically fit, George has become a self-confident and successful science fiction author, Marty's brother Dave is now a businessman, and his sister Linda no longer has trouble finding boyfriends. Most notably, George and Lorraine now have the close relationship they never had, while Biff has become an auto detailer/washer and is now very deferential towards George (and no one mentions that this sex offendor once tried to rape Lorraine).

The above paragraph is very important to my theory. This version of Marty's family are the exact opposites to the version of Marty's family we were first introduced to. Consider what it would be like to be raised by both families, do you think you would be the same person in each situtation? The Marty we know has his personality and memories due to his disfunctional family. Yet the Marty that this new and improved McFly family loved and raised would have a completely different personality and memories than the original Marty. Why does our Marty not reflect this? In fact he faints when he realizes how different everything is. His family reacts with worry and concern, which are probably alien concepts to this original Marty.

The alternate McFly family already thought something was wrong with Marty, and if they (including this reality's version of Doc whom would have befriended a very different Marty) spent more time with Marty they would have eventually realized that he was not their son. He might look like him and talk like him, but he would not have shared the same experiences and lack knowledge of important moments in their lives. It is probable that Marty would have admitted that he time travelled back to 1955 and changed how his parents fell in love. If given the chance, George (being a successful science fiction author who may have stumbled on some alternate history tomes during his career) would have speculated that it was impossible for him to have been a time traveller or else Marty would have changed as well to reflect the changes he was making to the time stream. Perhaps it would be this alternate George who would express the theory I am writing now on this blog.

This epiphany, however, never comes about. Just as Marty reunites with his girlfriend Jennifer, Doc arrives, insisting that they accompany him to the future to sort out a problem with their children. With Doc at the wheel, Marty and Jennifer enter the upgraded DeLorean, now a flying hovercar powered by nuclear fusion, and they go back to the future.

So the movie ends and we are left with the realization that this does not make sense as a time travel film. I am here to tell you, again, that this had nothing to do with time travel. Instead it was all about multiverse travel. We saw evidence of five different timelines in action:

1) Earth 0: The timeline where the dog Einstein was sent from during Doc and Marty's original test of the DeLorean.

2) Earth 1: The timeline of the original Marty, set in 1985. Here the McFlys are a disfunctional family, Chuck Berry released his song "Johnny B. Goode" later than OTL and Huey Lewis never became a musician. My guess is that after Marty disappears and Doc is found dead, the McFly family disentegrates over the pain of Marty's loss.

3) Earth 2: The timeline where the original Marty arrived in 1955. Here he altered the events of his parent's courtship and inspired Berry to release his famous song earlier and ensured that Lewis would have a career in music. Exactly how this timeline turned out by 1985 is unknown, but my guess is that Biff would end up in jail for his attempted rape of Lorraine.

4) Earth 3: The timeline Marty arrived in when he thought he was returning to 1985. Here the McFly family is successful and supportive of each other and also keep Biff around as a servant. This is probably not a timeline based on the changes Marty made to Earth 2, as it is unlikely any sane person would allow a rapist to be around their family. It is likely that this was the closest analog that the DeLorean could reach based on the timeline they were leaving. Why the DeLorean does not go to a random timeline is unknown, but the movies seem to suggest there is only so many places it can or is allowed to reach.

5) Earth 4: The timeline that future Doc arrives from to take Marty and Jennifer back on another trip...eventually reaching Earth 5.

So there you have it. A saner (for my standards at least) explanation of what exactly happened to Marty McFly when he got into Doc's DeLorean. I will breakdown the next two films in the coming weeks, so stay tuned for more examples about why the multiverse theory allows for the illusion of time travel. I will also be posting a review of After America by John Birmingham later this week.