Review: Time Samplers #2

I have finished the next chapter in the psychedelic time travel/conspiracy theory saga, Time Samplers, and before I begin, I need to give a special thanks to Paranoid American for giving me an opportunity to review their work. I read it on my Kindle Fire which I have to admit is my new favorite way to read comics, but more on that another time.

We find our heroic team of bros, Lex and Cal, still stuck in the W.I.L.D. Machine, the device that lets them recreate and visit the past. As reality breaks around them, Carmot and Vodnar try to rescue the brothers from the machine by sending them to a Skull & Bones ritual in the Tomb at Yale. Meanwhile, a new character, Luna, is introduced and immediately becomes the puppet of the shadowy figure causing chaos throughout the country.

The series continues to be humorous and delightfully weird, but I was left with more questions than answers. Who is Luna? Who is the shadowy figure controlling her? What is the council? I also feel I don't know much about the existing characters and I hope that futures issues might focus on them, especially Lex and Cal.

Alternate historians might be put off by all of the secret history, but that doesn't mean you shouldn't give it a chance. Numerous alternate histories reviewed on The Update have been inspired by conspiracy theories including Prologue by Greg Ahlgren (see John F. Kennedy assassination conspiracy theories) and the 2012 Sidewise nominated short story "Adrift on the Sea of Rains" by Ian Sales ("The Bell"). So if you are looking for a well-done indie comic that makes use of tropes common in alternate histories, give Time Samplers a shot.

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Matt Mitrovich is the founder and editor of Alternate History Weekly Update and a blogger on Amazing Stories. His new story "The Enchanted Bean" can be found in Once Upon a Clockwork Tale from Echelon Press. When not writing he works as an attorney, enjoys life with his beautiful wife Alana and prepares for the inevitable zombie apocalypse. You can follow him on Facebook or Twitter.

Best of 2012

Wow an entire year of blogging about alternate history. 2012 is kind of special since this is the first full year The Update has been active. Thanks to the apocalypse not happening on the 21st (wow the hippies were wrong again) I get a whole new year to keep sharing my love of alternate history with you all.

Since the year is coming to an end, it is time to talk about the Best of 2012. Like I said before there is no scientific selection process about these "awards". No one is voting on anything and several of the works below were not even created this year. This is really just my personal thoughts and feelings on the subjects covered by The Update this year. Perhaps next year we will make a real award since the Sidewise only covers books and short stories.

So without further ado...

Book
The Update is primarily a literary blog so of course we need to start with the best book of 2012. My choice has to be Land of Hope and Glory by Geoffrey Wilson, even though it was published in 2011. It was a surprisingly delightful novel to read and I highly recommend you check it out. As for the books read by our other contributors...ah hell I don't know what to do about those. There are just so damn many of them. Seriously, check out the Book Review page and I will leave that decision up to you.

Franchise/series
We haven't covered many current series this year, although I have been enjoying the reprints of the Anno Dracula series by Kim Newman, especially The Bloody Red Baron. If you want to check out some classic universes of alternate history reviewed this year may I recommend Worldwar (reviewed by Chris Nuttall) and Crimson Skies (reviewed by Sean Korsgaard).

Anthology
The best anthology of 2012 has to go to Substitution Cipher, edited by Kaye Chazan and featuring a short story by our own Tyler Bugg. I have been covering the creation of this anthology since October 2011 and although my own submission was not selected, I am still thankful to Candlemark & Gleam for opening this anthology to the public. It inspired me to write more fiction. Now I got three of my short stories published and a job blogging for Amazing Stories (don't forget, beta testing starts Jan 2nd).

Short story
I thought about giving this nod to "Vampire Romance" by Kim Newman, but since I already gave Anno Dracula the nod for best series, I decided to go with "The Beast of the Bosporus" by Matthew Quinn. It is a fun cautionary tale about why you should not call on the Great Old Ones to solve your problems. Of course, I am not the only one to review a short story this year. Check out the review of "43*" by Jeff Greenfield done by Andrew Schneider.

Non-Alternate History
It is rare, but every once in a while we do feature a publication that does not fit even under the liberal definition The Update uses for alternate history. This year the honor for the best non-AH has to go to the "No Bulls**t Guide to Self-Publishing" by Jennifer Ciotta, author of I, Putin. This quick read is a must for anyone thinking about self-publishing.

Comics
For me personally, I have to go with The Five Fists of Science by Matt Fraction and Steven Sanders. In it Twain and Tesla team up to defeat tentacled evil in this steampunk adventure comic. Of course I would be remiss not to mention Chris Nuttall's review of Star Trek: The Next Generation/Doctor Who: Assimilation 2. I realize I have been promoting this review for three whole days now, but come on, it is doing well in page views. At least I'll promise not to show the cover art again.

Showcase
Speaking of page views, showcases of web original AH are the lifeblood of The Update. They have, until very recently, been our most popular posts. I can't stress enough how much I need showcases to publish on this blog. The people love them and I like to give the people what they want. That being said, how exactly do you pick the best of what is already the best? I decided to share one showcase from each of the authors who submitted one this year (and if they submitted more than one I selected the one I liked the best).

Although biased, I did enjoy the showcase I did for A Crack at Draka, a timeline featuring a revamped history of the Draka. Brian W. Daugherty feature on the extremely detailed Protect and Survive universe also brought light to an amazing piece of nuclear war fiction. Out of all the showcases written by Sean Korsgaard, however, I would have to pick A Giant Sucking Sound. You just don't see that many dystopias from the 1990s. Finally, let us move away from the good folks at AH.com to highlight the work of the editors over at the AH Wiki with Napoleon's World, covered by Tyler Bugg. It is a reminder to us that despite AH.com's vast size, there are other communities out there striving to produce excellent work of AH.

Please send me your thoughts on your favorite web originals. I would love to share them with our readers.

Film
Not a great year for film. As far as I know there were no pure alternate history films released this year (although some people think Django Unchained is one), but you did have a couple that were in the same spirit. I enjoyed Abraham Lincoln, Vampire Hunter and Sean liked Iron Sky as well. Check out both of those movies and cross your fingers that we will see another alternate history film in our future (we have been experiencing a drought since 2011). Hopefully it will be War of the Worlds: Goliath.

Television
Not a great year for television either. The only thing we really had was NBC's Revolution, which if you read Seb's review of the first episode, didn't excite most AH fans. It seemed even the people who liked it spent more time apologizing for the show's flaws and suggesting ways to improve it. People seem to like Elementary, the modern Sherlock Holmes in America crime drama on CBS, but I have not watched it so I can't really comment. Perhaps 2013 will be better when the World War II, alien invasion drama Horizon is produced.

Podcast
Wow this is a tough one. On one hand I really like Twilight Histories by Jordan Harbour. This podcast has some imaginative scenarios and their presentation as a radio play makes this one of the most intriguing sources of alternate history. On the other hand, Series 6 of Dissecting Worlds has showcased a lot of good discussion on alternate history across various medias and I can't forget how nice they guys were when they invited me to be a guest on their American Civil War episode.

I don't know, I just can't decide. I guess you will just have to listen to both of them and decide for yourself.

Essay
Although Chris Nuttall's How to Write and Publish a Novel in Eight Easy Steps is probably one of the best essays I posted on this blog this year, it has little to do with alternate history. If you really want some counterfactual goodness, check out The Economics of a Roman Suez Canal by Christopher Brielman. I love it when writers step away from the great man theory and alternate battle outcomes when crafting their alternate history. Brielman's work needs to be read not just for the quality scenario he crafted, but also because it is an example as to why alternate historians must, must, MUST do their research. If you do, you get something as great as this essay.

Map
The map of the year has to go to Ben Carnehl:

More thought experiment than plausible alternate history, this map shows what the continental United States would look like if it balkanized along ethnic lines. I really need to do more with maps in 2013. Perhaps a "Map of the Week" post or something similar. Hmm...

Interview
Finally we are on the people awards. This was a difficult category to narrow down. How exactly do you judge the best interview you conducted with someone?

Among the books I personally read, I would have to say my favorite interview was with Roger L. Ransom, author of The Confederate States of America: What Might Have Been?. He crafted one of the most plausible CSA wins scenarios I ever read and it was also refreshing to talk to someone who enjoyed history as much as I do.

Among the books I did not read, I have to pick Rhys Davies, author of Timewreck Titanic. Not only did he have the best bio pic ever sent to me, but you can tell from his answers to my questions that he really put a lot of thought into them. They were a joy to read and I hoped you liked them as well.

Honorable mentions also need to go out to Doctor Quincy E. Quartermain (the biggest fan of alternate history/steampunk I ever met, who also gave me some good pointers about attending SF conventions) and Joe Pearson (the first film maker I ever interviewed).

Contributor
This is another difficult one, but not for the same reasons as stated in the above categories. Everyone who has contributed to The Update is dear to my heart. You guys (and gals) have brought me joy by just believing enough in the mission of this blog that you wanted to help in any way you could. Thank you.

However, if I had to pick, then the honor for best contributor would have to go to Chris Nuttall. He is one of our most prolific reviewers and essay writers. Plus his most recent submissions have been extremely popular, especially with the Reddit community. I can't imagine the number of followers to The Update have been enticed by the works of Chris. Thank you Chris and I hope I get the honor of posting more of your work on this site in 2013.

Conclusion
You know what I just realized? We did not review any video or computer games this year. Huh...really need to get better about that. So many things I wish I could have done. So many topics left uncovered. Not exactly regrets, mind you. Just...lost opportunities. I got a lot of interesting ideas for 2013.

Well guys I hope you enjoyed 2012. You have two more posts before the year is up (an alternate history and steampunk themed Weekly Update) before The Update starts 2013. I hope you are looking forward to the future. I sure am.

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Matt Mitrovich is the founder and editor of Alternate History Weekly Update and a volunteer editor for Alt Hist magazine. His fiction can be found at Echelon Press, Jake's Monthly and The Were-Traveler. When not writing he works as an attorney, enjoys life with his beautiful wife Alana and prepares for the inevitable zombie apocalypse. You can follow him on Facebook or Twitter.

Review: "The Darkness Series" by Harry Turtledove

Guest review by Chris Nuttall.

Into the Darkness (1999)
Darkness Descending (2000)
Through the Darkness (2001)
Rulers of the Darkness (2002)
Jaws of the Darkness (2003)
Out of the Darkness (2004)

The Darkness series can be summed up in one sentence; its World War Two fought out with magical weapons on a fantasy background.

I mean it. If you have any knowledge of World War Two, you will be able to predict the course of this book with complete accuracy. There are some minor changes, yet somehow none of them have effects that are different from World War Two. Everything from the Holocaust to the Battle of Stalingrad has its equivalent within the Darkness tomes. It’s probably easier to think of the Darkness world as being based around a radically different tech base to our own, rather than straight-up magic. People do not get turned into frogs, nor are there curses (although there are suggestions of curses), teleportation and other standard fantasy fare. That said, there are little spells that work like standard magic spells, including one that disguises a person. The universe is not always consistent.

The Darkness world, in some respects, is quite like a fantasy world. Instead of aircraft, there are dragons; instead of submarines, there are leviathans; instead of tanks, there are behemoths. (The front covers of the UK editions of the books have very classical images of them.) Ships sail on ley lines and use them for power, as do the Darkness counterpart of railways. Military tactics are slightly warped because of these requirements – the lines, unlike our railways, are not built by humanity. Some of the places of power allow greater magical works to be performed. Magic sometimes works badly in isolated countries. The exact capabilities of the magic are never precisely determined.

The politics of the Darkness world are our own of 1940-45, seen through a glass darkly. There are some odd points – ‘Japan’ is at war with ‘Russia,’ ‘Britain’ doesn’t join the war until ‘Norway’ is invaded – yet it is recognisably WW2. (One of the more annoying points is that most of the nations are fairly identical.) They are all aristocratic states – the hints of socialism never seem to take flight – and the rulers are all fairly typical standard fantasy types. There’s the noble lord who carries on the fight after his nation is defeated and the spoilt brat of a princess who gets into bed – literally – with the invaders.

As is fairly typical for Turtledove, the story follows a vast array of characters as they make their way through the war. I really cannot list all of them now, although I do admit that Turtledove does a good job of leaving them all separate, with different identities. Their mere survival cannot be guaranteed either – quite a few of them die in the course of the story, only to be replaced by their best friend as POV character. Don’t get too attached to anyone.

My main gripe with the series is that it is FAR too close to WW2. This results in considerable logic-bending. Turtledove would, I feel, have been wiser to take the country he devised, think through the implications more carefully, and allow events to run on their own path. Instead, the promising hints of interesting and eccentric magic are pushed aside to ensure that events follow a WW2 timeline that makes little sense in their world. The past history of the Darkness world doesn't match up with OTL, yet we are expected to accept that it led to the same place. Turtledove shows plenty of imagination in this series, but so much of it is in the wrong place.

The series does have its good and interesting moments, yet it offers little new for the discerning reader.

[Editor's Note: If you do happen to purchase the Darkness series after reading this review, do yourself a favor and buy a used paperback/hardcover.  Even with shipping it is still cheaper than the e-books.]

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Chris Nuttall blogs at The Chrishanger. His books can be found on Amazon Kindle.

Review: The Draka Series

Guest post by Chris Nuttall.

As I have noted in previous reviews, lack of plausibility alone is not a good reason to dismiss an alternate history book. The best of the genre teach us about history and people as well as telling a good story. It is impossible to describe the Draka books as plausible, but they do teach us, if nothing else, just how lucky we are to live in such a decent world. The world of the Draka is the dark reflection of our own world.

The core idea behind the series is that refugees from British North America settle South Africa (captured in the war) instead of Canada. This tiny band of refugees (and assorted immigrants, including refugees from the Confederate States after the end of the American Civil War) grows into a great nation to rival the United States. But there is a major difference between the two nations, one that defines the struggle that eventually ends in book 3. The Draka are the ultimate Master Race, a bare 1% of the population. Everyone else in their territory is a serf, a slave by any other name.

I believe that Stirling based the Draka at least partly on the society of Ancient Sparta (which is a fascinating area of history and well worth some study.) The Draka themselves are trained savagely almost from birth, with those who are defective isolated from the rest of the race and forbidden to breed, until even the merest Draka is a deadly enemy. Their military has a large reserve of manpower to call upon, one that compensates for its numerical weakness by being a raving meritocracy. Skilled Draka soldiers get heavily promoted; incompetents face barrack room justice. They are deadlier than the most dangerous units of Nazi Germany. Women serve on the front lines as equals to the men. The Draka cannot afford to apply gender prejudice to their war-fighting.

The serfs, by contrast, live highly restricted lives. They are legally nothing more than property (shades of Ancient Rome) and can be treated as their masters please. While overt sadistic behaviour is supposed to be controlled by social disapproval, the truth is that the serfs are permanently at the mercy of the citizens. The lucky ones farm or work in mass production workshops; those who dare to rebel are impaled or sent to death camps to be worked to death. Being a male-dominated society, the Draka have no qualms about their young men having sex with serf women. Unlike western culture, young women chase men, competing with slave girls who literally can't say no. (Women are forbidden from sleeping with slave men until reliable contraception is developed. Lesbian love affairs are very common among the Draka.)

Most of the serfs are deliberately kept ignorant of the world around them. The principle exception are the Janissaries, serfs armed and trained to serve as a bludgeon force for Draka expansion. They are the most atrocity-prone force in history – indeed, atrocities are keenly encouraged except when they might interfere with combat operations. You’d think that they would rebel, but they never do. The Draka have managed to keep a vast number of humans trapped in permanent bondage.

Stirling deserves credit for creating a truly strange culture, one that traps both slave and free population in its claws. There are ‘good’ Draka, including some characters that are more sympathetic than they should be, but even the ones who admit that there are flaws in their society are powerless to change it. Some of the serfs are effectively domesticated and don’t even think to question their position, others are all-too-aware that it could have been worse. One odd scene contrasts the treatment of a serf wench (serfs are referred to as wenches or bucks, further dehumanising them and separating them from the overlords) with the treatment of women in Afghanistan. I don’t see much difference between the two, really.

The first book in the Draka Series, Marching Through Georgia, introduces us to the Draka by sending them into war against Nazi Germany. This alternate Germany is led by Hitler and has already beaten Soviet Russia, becoming overextended in the process, allowing the Draka to stab them in the back by invading up from OTL’s Iran. In many ways, this is the best book of the series, with the neat small-unit action against the Germans.

Following on, Under the Yoke looks at an alternate France – occupied by the Draka, who are literally enslaving the entire population. By far the most harrowing of the books, it follows the lives of a handful of characters forced to watch helplessly as France is crushed below the feet of its new masters. There is limited ground for optimism as the Draka face the Alliance for Democracy, an American-led analogue of NATO, that is attempting to slip supplies to the resistance against the Draka. But the small victory they produce in no way impedes the assimilation of Europe.

The Stone Dogs takes a twist from the first two books in being spread out over several decades, as the Alliance and the Draka prepare for the final conflict. Both sides are developing superweapons and militarising space as fast as possible. The Draka are engaged in an effort to turn themselves into superhumans, while the Alliance concentrates on an antimatter-powered generation ship to take a small number of refugees to the nearest star. But rogue players on both sides trigger the final war. It probably is no great spoiler to note that the Draka win the war, bringing about the end of history. Some have claimed that Stirling cheats by allowing the Draka to win, but it is the logical end result of the series.

DrakonDraka superhumans is accidentally thrown across the timelines into our own universe. She is effectively a different form of life altogether from humanity and promptly starts trying to take over, opposed by a cop and a time-traveller from Samothrace, the world settled by the Alliance at the end of the previous book. The more interesting parts of the story are the bits set in the Draka home timeline, where we see the end result of the Final Society. The former serfs have been genetically engineered into servitude, turned into a race that is literally born and bred to serve the Draka. At first glance, their world seems idyllic, but it isn't long before the reader realises just how warped and evil they are.

The Draka series introduced many of the tropes in alternate history, making the series more influential than most AH books out there. Massive armed airships, eternal empires and stable societies came from the Draka world. Stirling has a fair claim to being more influential than Harry Turtledove, even though Turtledove serves as most people’s introduction to AH.

Stirling does a good job of humanising the Draka (despite their evil) and of outlining his characters from the Alliance and Draka serfs. However, the same cannot be said for the Draka timeline itself. There are – thankfully – a number of issues with it, which have been outlined elsewhere. However, I will take a moment to mention a handful.

First and foremost, the Draka have an extraordinary run of luck, gestating down in Africa while the rest of the world runs along historical tracks. No one attacks the Draka; no one even seems to realise the threat they represent until the end of the alternate World War Two. States tend to react to threats, even potential threats from states that are historically friendly. The mere presence of the Draka should warp the geopolitical structure of their world. By 1850, perhaps earlier, states should be forming defensive alliances against them. The idea that Hitler would allow them to occupy Italy in 1941 is absurd. Hitler would know that they’d be a knife pointed at the heart of his world.

Second, the Draka are supremely competent, capable, and developed. They have weapons that are better than their opponents (Nazi Germany, the people who maintained technical supremacy until the end of WW2), better doctrine and even luck. Stirling does note that the Draka are historically weak in the pure sciences; instead of being ahead of the curve, they should be behind it. Their society is somehow able to make use of serf ingenuity without provoking serf revolts when the educated serfs realise how badly they’re screwed in the system. Soviet Russia couldn’t compete with the US; the Draka will be even less capable of staying in the race.

Third, the Draka expand far too quickly. Their population expands at awesomely high levels and they take large swaths of Africa which were historically lethal to Europeans until certain diseases were defeated. This rapidly becomes absurd – they leap forward and take Egypt during the Napoleonic Wars, and then refuse to leave...

Which leads neatly into the fourth point. Britain, the same state that banned the slave trade and did the most to stamp it out, tolerates the Draka treating their captive populations in ways that would make the worst of the CSA blanch. The Draka have extraordinary freedom right from the start.

Fifth, and most significant, the Draka are capable of holding literally millions of people in bondage and transplanting their society on top of occupied territories. This isn't the easiest thing to do even if one is prepared to be utterly ruthless...and yet the Draka steadily grind down two-thirds of the entire world. The communist bloc and, to some extent, Iran’s regime tried hard to keep the population down and the price they paid for it was losing the willing cooperation of people who benefited from their own work. And in the end they fell apart. The Russians talked about the ‘Soviet Man.’ The Draka actually created a new form of human life.

And yet, there is something about the Draka series that makes it compelling. Stirling set out to create an anti-America, a state and a world where all the freedoms we take for granted are stamped out of existence – and eventually become unthinkable. Just as the Alliance slowly lost sight of why it existed, of why they had to stand up to the Draka, the West lost sight of why the Soviet Union needed to be opposed, or why the Taliban had to be fought, or why it is so important to stand up for those who cannot stand up for themselves. Evil wins in the Draka series because no one tried to stop it until it was too late.

Which is really the point, isn't it?

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Chris Nuttall blogs at The Chrishanger. His books can be found on Amazon Kindle.